Kaha Bhulna Sakchu is about a boy who lost his mother in early age and a God loving girl who respects her parents beyond everything.
Nandu lives in a small town with his widowed mom, Paro. He is friendly with two young girls, Farida and Kamli. He is depressed when Kamli's dad becomes ill and she and her mom re-locate to Ambala. Years later, Farida and Nandu have grown up and continue to be friends. Then they get the news that Kamli's dad has passed away, and they are to return back. Initially they do not recognize each other, but when they do, both fall in love and want to marry. When Paro goes to meet with Kamli's maternal uncle, she is shunned, humiliated because they are poor and Nandu is unemployed, & considered a trouble-maker.
Vidya Bagchi (Vidya Balan) arrives in Kolkata from London to find her missing husband Arnab Bagchi. Seven months pregnant and alone in a festive city, she begins a relentless search for her husband. With nothing to rely on except fragments from her memories about him, all clues seem to reach a dead end when everyone tries to convince Vidya that her husband does not exist. She slowly realises that nothing is what it seems. In a city soaked in lies, Vidya is determined to unravel the truth about her husband - for herself and her unborn child - even at the cost of her own life.
A couple lives though three different lives over different eras as destiny conspires to make them fall in love with each other, against all odds.
Hamari Adhuri Kahani (English: Our Incomplete Story) is a 2015 Indian romantic drama directed by Mohit Suri and produced by Mahesh Bhatt under the banner Vishesh Films and Fox Star Studios. The film stars Emraan Hashmi, Vidya Balan, and Rajkummar Rao. It is based on the love story of Bhatt's parents, Nanabhai Bhatt, Shirin Mohammad Ali and his stepmother.
Diyva and Karan Saxena are in love and plan to marry. Karan has a younger step-brother, Vivek Saxena who he looks after him as though he were his own brother. Divya and Vivek hang out with quite a few young people of their own age, Atul, Vijay, Prem, Ashok, Nita, Rashmi, Niki, and Priti, just to name a few. Two male members try to sexually molest Divya, and get a sound thrashing from Karan. After apologizing, these two members decide to avenge their beating and humiliation. After entrapping Divya, they sexually molest her to such an extent that Divya attempts to kill herself. Unknown to Divya, she was the lover of Kapil a snake with magical powers, in a previous life. Their love life was shattered by an angry sage who cursed them with separation until the 21st century. Divya, who was called Vasundhara in her previous life, dies after this curse, and is reborn as Divya.
This deliriously warped S&M softcore film from cult pinku-eiga director Hisayasu Sato deals with a deranged doctor who lives in an abandoned hospital with his wheelchair-bound sister. The sister has a bizarre disease which keeps her eternally youthful and flawless in her brother's eyes. Frustrated by normal women's perceived imperfections, the madman kidnaps them and submits them to gruesome tortures under the guise of anti-aging experiments.
Vidya Sinha (Vidya Balan) has only one obsession in life. She wants to see her teenage daughter Mini, who is paralysed waist-downwards, walk again. But, is this scenario as obvious as it seems? Or is Vidya an impersonator of Durga Rani Singh from Kalimpong, who is wanted for kidnapping and murder?
Rajesh Khanna is in love with Mumtaz in their college days. But he chooses to become revolutionary freedom fighter and abandons Mumtaz due to the fear that he might die during his struggle leaving her as a widow. The vicissitude of time, however, gets Mumtaz married to Shashi Kapoor, a police inspector, and also a friend of Rajesh Khanna. Rajesh Khanna takes refuge at Shashi Kapoor's government quarters and encounters his past as he meets Mumtaz again. Eventually, Shashi Kapoor gets to know of their past relationship. He is encountered with the challenge of believing the chastity of his marriage or the doubt in his mind whether his trust has been broken while he was away from home on duty. Rajesh Khanna takes the lead and gets himself killed by Mumtaz to convince him that Mumtaz indeed loved Shashi Kapoor and not him.
Set at the backdrop of the 1969 congressional elections, Banta ng Kahapon unravels the story of men as pawns in a millue of political power - men best described as beholden only to amorality and the highest bidding politicos who pay their services.
An anthology of ten short films dealing with diverse subjects such as infidelity, companionship, lust and a spectrum of human emotions.
Two widowed sisters thwart a love match when they try to arrange marriages for their respective children.
A lifestyle photographer, a student activist, and a relationship that developed amidst contrasting ideals and principles.
A once thriving reception hall has been reduced to catering to the funeral business and the somber rituals of death. The owner, Soleimani, is a sour, lonely and unloved old man who treats his workers with contempt, inflicting small cruelties whenever possible. Embittered and seeing a psychologist, he decides he will close the business in twenty days, sending his staff, already fighting just to get by, into a state of fear and uncertainty. Like a close-knit family, the staff members endure their daily suffering together. These good-hearted people include an ostracized young widow trying to survive with her daughter; a chef with a paralyzed arm who has a demanding wife; and two young men, working but homeless, who must sleep in the company's truck. Despite Soleimani's indifference to their plight, the people on his staff have retained their hope and humanity. As the threat of closure nears, they work together to save the hall and at the same time attend to each others' emotional needs.
Three strong-willed sisters face tough choices.
Love. Romance. Sex. Any combination of this is a relationship. Watching a movie together, whispering sweet nothings, walking on the beach — other similar moments of intimacy, small things that define a happy couple. But what happens when the foundations are decaying, when what we cherish turn into moments of degradation? What do you do when your life becomes parasitic, feeding on love? What happens when you are not what you say you are and you don’t know? No one knows. Does this romance encounter reality? How does this encounter end?
A portray of the life inside a small Jewish community in Temuco, Southern Chile, home of the oldest synagogue in the country. Narrated mainly by female voices, descendants of one of the founding families of the community, their testimony will give a gender perspective, willing to challenge their cultural heritage.
Bakit may Kahapon Pa? (Why Is There a Yesterday?) is a 1996 Filipino drama film directed by Joel Lamangan. It is about a village girl who is mysteriously spared when a platoon of soldiers led by Colonel Valderamma (Garcia) massacres her family along with peasants accused of sympathizing with the communists. When the girl has grown up, her body has healed but her mind is yet to recover from the horrible experience. She continues to thirst for revenge and crafts a scheme to exact retribution. She eyes the head of the military mission who instigated the carnage that she survived. He is now a well-admired retiring general who is about to cap his career with the service's highest honors.
It is the time of El Niño, a season ruled by superstition and fear. The rain is long in coming, the ground has cracked up dry. The ricestalks are thin and sickly. Villagers go hungry. And a boy dies from a snakebite. The adults splinter. Some pray. Others join a cult to appease earth spirits and wait for the ada, the ricefield spirit goddess of bountiful harvest who dances naked on moonlit nights and signals the need for a virgin’s sacrifice. There are fence sitters, equally pro-church and pro-cult. A landlord’s steward enforces his master’s usury on hapless farmers. A self-righteous priest says rain must first be deserved. Two young women fight for the right to do with their bodies as they please. A bastard boy and a blind girl come of age. Yesterday, they were children.
Drama about a deaf father
Na Bole Tum... Na Maine Kuchh Kaha is an Indian soap opera which is currently being aired on the Hindi entertainment channel Colors TV. It replaced Bigg Boss. The show went on air from 9 January 2012. The show aired its last episode in October 2012. But the production company has come back with season 2 from 14 January 2013. It airs in Pakistan on Express Entertainment
The story revolves around two couples. The first couple, Wamaj and Raima to an upper-middle-class family and have been married for the past eight years despite their hatred for each other. The second couple is that of Abrar and Manahil, who love each other but cannot marry owing to financial constrains.
Batang Kaharian is a 30-minute religious education program of ACQ-Kingdom Broadcasting Network.
Kahani Chandrakanta Ki was an Indian fantasy television series based on Devaki Nandan Khatri's second novel Chandrakanta Santati. The series premiered on Sahara One on June 6, 2011, and is produced by known television producer Sunil Agnihotri.
Astitva - Ek Prem Kahani was a Hindi-language soap opera that aired on Zee TV channel for about four years. The story focuses on the concept of women's identity through the character of Dr. Simran, who embodies patience, consistency and suppression in a subtle way. She is a gynecologist who enters a complex situation when she marries a man 10 years younger than herself. It shows the ensuing struggles in her life.
Kahani Saat Pheron Ki is a Hindi-language television series that aired on the national channel of India, DD National. Due to its popularity, the series was also shown on TV Asia and AZN Television channels in USA.
Kahaani Hamaaray Mahaabhaarat Ki was an Indian television epic series. Kahaani Hamaaray Mahaabhaarat Ki premiered on 9X July 7, 2008. It was a modern and westernized version of the epic Mahabharata and aired every Monday-Thursday at 9pm. It was discontinued much before its original completion date because of low TRP ratings & criticism from all quarters.
Kahan Gaye Woh Log is an Indian television series that aired on Doordarshan network's national channel, DD National in 1985. The series is based on the theme of Patriotism, and tells the story of people fighting for their nation, India, who have sacrificed their future for future of other Indians living in India. The title itself reflects the meaning i.e. 'Where are the Patriots?' A serial full of patriotism is said to have started the 'Golden Era' of Patriotic TV Serials. The serial received overwhelming response since the beginning. This serial was awarded 'Aadhaarshila Award' for Best Patriotic Serial which was given by of then Vice President of India Mr. Shankar Dayal Sharma. Manoj Kumar also played a major role in the success of this serial.
Sugat Ng Kahapon is the fourth Lenten presentation APT Entertainment has produced starring Dennis Trillo, although it is the company’s first Lenten project with Marian Rivera who has had a long record of working with APT Entertainment Inc.’s sister company Tape Inc., having started in the afternoon soaps it produced a few years ago. This is the first time that Marian and Dennis will be paired together in a lenten presentation.
Bible Ki Kahaniya was an Indian epic period serial based on Christian scriptures of the Bible in Hindi language. It was one of the first serials in India to involve high budget and use of fast paced technology. The television program was originally telecast on Doordarshan in the early 1993 to late 1995, but DD stopped its telecast abruptly because there was fear of communal tension due to certain episodes, in view of threats from Kashmiri militants, objection from some Hindu elements, differences between the production team and channel and budget issues. The characters were played by popular Bollywood stars including Kabir Bedi as Abraham and Urmila Matondkar.
Tum Bin Jaaoon Kahaan was a Hindi television serial that aired on Zee TV in 2003/2004. The show was based on a popular Indian novel November Rain, which was the first Indian novel in English to be made into a daily prime time television series.
Kamrup Ki Kahani was an Indian soap opera that aired in the 1990s, directed by Ruma Ghosh.
Do Lafzon Ki Kahani is an Indian television series that aired on Sahara TV now as Sahara One. The story revolves around the 3 generation of a family: a mother, her adoptive daughter, and her granddaughter. The series premiered on June 20, 2001 and starrs Bollywood film actress Helen.
Story revolves around the life of a young woman, who is trying to resolve tensions between her father, who runs a restaurant in city of Karachi called Alfonso, and mother, an artist residing in Florida. With the help of friends, she takes on the task of saving her family restaurant from going into ruins, and her family from breaking into pieces.
Pyaar Kii Ye Ek Kahaani is an Indian Supernatural television series that aired on STAR One from 18 October 2010 to 15 December 2011 . Pyaar Kii Ye Ek Kahaani got an instant hit TRP and good critics on its premiere week. It was first titled as Fanna – A dark love story, but later they changed it to enhance its romantic plotline and thus, it was titled 'Pyaar Kii Ye Ek Kahaanii.' The show was an Indian adaptation of Twilight but had its own distinct story, which captivated its viewers.
Gajab Desh Ki Ajab Kahaniyaan is an Indian television show hosted by actress and item girl Rakhi Sawant and created by UTV Software Communications which air on NDTV Imagine. Rakhi will be seen in the second season of her earlier show Rakhi Ka Insaaf on Imagine TV. The show will bear a new title. Going by the name, on the show Rakhi will be hearing and solving out some bizarre cases of a particular celebrity and a common man. Unlike the last season of Rakhi Ka Insaaf, which was on some very serious note and controversies, this show will be more on a lighter and comical note.
Kahaani Ghar Ghar Kii was an Indian soap opera that aired on STAR Plus. It ran 1700 episodes. It starred Sakshi Tanwar as Parvati Om Agarwal in the lead role of the series which tells the story of the successful Agarwal family. The final episode of the show aired on October 9, 2008.
Shanti - Ek Aurat Ki Kahani is an Indian television series that aired on DD National in 1994, and was later shown on Indian television channel STAR Plus. The series stars Mandira Bedi as Shanti in the main lead. The show is one of the first Indian television drama series, has received a considerable cult status and is considered a classic.